Estela Telerman began her music studies in her native Buenos Aires and was a student of Argentine pianist Dora Castro. She studied at the Municipal Conservatory of Music and completed her studies in Liberal Arts at the University of Buenos Aires. In New York she specialized in Bach studies under Rosalyn Tureck. She was awarded the “JUAN CARLOS PAZ” Prize for her performance of contemporary piano music, and gave first performances of many works by Argentine composers, some of them dedicated to her. She gave first performances in Argentina of CLARA SCHUMANN’s Concerto in a minor and FRANZ LISZT’s Concerto Nº 3. In 1998 she premiered and recorded in Rumania Liszt’s Concerto Nº 3. She also recorded early and late works by Liszt and works by Argentine composers. She frequently performs solo and chamber music recitals and appeared with the most important orchestras in Argentina. Since 1992 she has been a member of clarinet-cello-piano Trío Sine Nomine, with which she performs the standard repertoire and a great number of works by Argentine composers.

Estela Telerman gave recitals and concert–lectures on Argentine piano music in concert halls and universities in the United States, Canada, Peru, Colombia, Ecuador, Costa Rica, France, Italy, Spain, Norway, and Holland. She recorded Argentine music for the Italian TV and for Radio Nacional (Spain). Besides her activities as a concert pianist, Estela Telerman taught at the University of Buenos Aires and presently teaches at the National University Institute of Art (National Conservatory of Music). In 1999 she created and presently coordinates and performs with ARGENTMUSICA, an association devoted to the preservation, dissemination, and editions of Argentine Music. She is presently a member of the Academic Council of the Department of Arts of Music and Sound (IUNA) and a member of the Argentine Council of Music (UNESCO).

She studied voice at the “Carlos L. Buchardo” National Conservatory of Music . Her teachers were Myrtha Garbarini and Marta Blanco. She presently takes advanced studies under Prof. Ana Sirulnik. She was a member of the Camerate Vocale conducted bt Mtro. Guillermo Opitz and Ensamble Vocal Argentino conducted by Mtro. Julio Fainguersch.

In 1999 she joined Argentmúsica, an association devoted to the preservation and dissemination of Argentine music. She took part in the first world recording of Ernesto Drangosch’s piano and art songs, which was awarded the 2002 TRIMARG-UNESCO award. In 2003 she was awarded the Honor Plaque and a Diploma at the Candil de Kilmes Prize in Voice category.

From 1994 to 1999 she was awarded the Leonor Hirsch Scholarship to take advance voice studies under Regine Crespin (1994), and Denise Dupleix. She also had a scholarship for the Música de Cámara Foundation. In 1999 AECI gave her a scholarship to join a Mozart-Rossini performance course under Teresa Berganza in Santander, Spain. In 2004 she received an Antorchas Foundations scholarship to attend a course on French Opera taught by Corinne Laporte from Paris. She attended international courses taught by Gundula Janowitz, Victoria de los Angeles, Ian Baar, and pianists Charles Spencer,and Miguel Zanetti.

She had her Teatro Colón debut in 2003 with Massenet Manon conducted by Mtro. Reinaldo Cenzabella. She sang Suzanna in Mozart’s The Marriage of Figaro, Pamina and Papagena in Mozart’s The Magic Flute, Gretel and the Fairie in Humperdinck’s Hänsel and Gretel, Prima in Puccini’s Madame Butterfly, Countess of Ceprano and Page in Verdi’s Rigoletto, Giovanna in Verdi’s Ernani. She was also a soloist in Charpentier’s Tedeum, Mozart ‘s Mass K 258, Schubert ‘s Mass in G Major, etc. She performed in recitals in Italy, Austria, and Spain and frequently performs in Buenos Aires and other Argentine provinces.

He performed extensively as a soloist and in chamber music groups in the most important concert halls in Argentina and gave first performances of works by Argentine composers. In 2001 he premiered in Buenos Aires Alberto Devoto’s Sonata Nº 2 “The Clock” at the Colon Opera House Golden Hall , later broadcast in Switzerland. In 1995 he was awarded a scholarship from the Ibero- American Cooperation Institute to take part at the 38th International University Music Course in Compostela (Spain)  In 1995 he was also a finalist in the Biannual Piano Competition sponsored by Buenos Aires Music Festivals.

In 1999 he took part in the advanced studies “Camp Musical des Laurentides”, in At. Adolphe d’Howard, Québec, Canada . On the occasion he gave recitals at the Amati Hall. He is an Argentmúsica Member of the Board.

He began his voice and choir conducting studies in Buenos Aires (Argentina) at the Collegium Musicum under Prof. José Antonio Gallo.

He conducted the Prometeo Vocal Chamber Group and was a soloist with the National Polyphonic Choir and the Teatro Colón Art Advanced Studies Institute.

His voice teachers were Sergio Tulián, Noemí Souza, and Jorge Soutrik. In Spain he studied at the Advanced Studies Voice School in Madrid under Isabel Penagos, Pascual Ortega, and Rafael Senosiain. His repertoire teachers in Argentina were Catalina Hadis, Gianni Rinaldi, Alberto Balzanelli, and Susana Cardonnet. He also studied French opera with Catalina Gerber, oratorio with Betty Allen , Lied and oratorio with Ernst Haefliger, Bach’s Passions and Cantatas with Phillippe Huttenlocher, and German Lied with Erik Werba.

José Luis Sarré was a soloist in oratorio , performed opera roles and has been very active in art song recitals. He performed under conductors Mariano Drago, Juan Carlos Zorzi, Antonio Russo, Ricardo Bonnet Müller, Pascual Ortega, Jorge Fontenla, etc.

He sang the most important tenor roles in Così fan tutte, Il Barbiere di Seviglia, Die Zauberflöte, Rigoletto, Traviata, Werther, L’Amico Frirz, L’Elisir d’Amore, La Bohème, L’Enfant Prodigue, Madama Butterfly, Manon, Verdi’s Requiem, Händel’s Messiah, and Haydn ‘s The Creation.

In 1993 José Luis Sarré began to work on Eugene Rabine’s Functional Singing Method with Prof. Renata Parusell in Würzburg (Germany). He was trained on voice teaching and vocal coaching both in Germany and in Argentina. Later on he was personally trained by Prof. Eugene Rabine.

He presently continues research on this method and is currently Voice Professor at the National University Institute of Art (I U N A ) -“Carlos López Buchardo” Department of Music and Sound Arts -, and the “Manuel de Falla” Advanced Music Conservatory of the City of Buenos Aires.

For more than ten years José Luis Sarré has been the tenor with the Carlos Vilo Chamber Quartet, devoted to disseminate the music of Argentine composer Carlos Guastavino. He frequently performs Argentine art song recitals for Argentmúsica.

His recording of Schubert’s Winterreise with pianist Martha Salzman, was highly acclaimed by music critics.

Mr. Sarré received awards for his work by Cultural Encouragement Association, Promociones Musicales, Jeunesses Musicales, Buenos Aires City, Argentine Authors and Composers Society , Hispanic Institute, Spanish Embassy Cultural Office

Sergio Moldavsky was born in Buenos Aires in 1955. . He was admitted at the “Juan José Castro” Province Conservatory in La Lucila, Buenos Aires Province, where he obtained the Advanced Guitar Professor degree in 1982. His teacher was Graciela Martínez Zárate. Afterwards he pursued advanced studies under Professor María Isabel Siewers.

He obtained the following awards in severs competitions: Promociones Musicales de la Argentina (Second Prize), “Abel Carlevaro” Competition (1987)(Second Prize); Argentine Guitar Circle (1988) (First Prize).

He recorded his first CD in 1998 with Victor Villadangos, featuring the works by the Argentine composer Jorge Gómez Crespo, including the first recording of the complete version of “Serie Argentina” - with its famous “Norteña”.

In December 2000, Revista Clásica Arte y Cultura launched his second CD, dedicated to 19th Century Guitar, featuring some of his own transcriptions,like Beethoven's “Moonlight” adagio.

Sergio Moldavsky also took part on a third CD - Encuentro s- , together with some other Argentine performers and world famous guitarist Eduardo Fernández. He recently made the first world recording of Abel Fleury's complete works - 33 original works for guitar published by the composer.

His records with the Argentine music of Gómez Crespo and Fleury were highly praised by the English magazine Classical Guitar: “ It is quite clear that Sergio Moldavsky loves this music and performs it passionately...” (Allan Clive Jones). During the 2000, 2001 and 2003 seasons Sergio Moldavsky carried out an unusual task - he performed on stage as a soloist with the National University Institute of Art ( IUNA ) Ballet

In 1993 he had the honor of being invited to perform at the last homage to the Pioneer of Argentine guitarists, Mrs María Luisa Anido , in her hometown. . On that occasion he performed, Preludios Nostálgicos, among other works.

In 1993 he was invited to Stockholm (Sweden) to take part in the 19th International Guitar Festival, performing music from the Argentine Pampas.

On four occasions Sergio Moldavsky he was invited to participate at “Guitarras en Concierto”, an international music event held in Buenos Aires City.

In April 2002 he was selected to premiere “Yupanquiana”, a work for guitar and orchestra by Carlos Carmona to commemorate the tenth anniversary of Atahualpa Yupanqui's death.
He recently recorded two Cds: “Cantabile in Strings ”, with soprano soprano Rosana Risé, featuring the first recording of American composer’s Jonathan Kulp’s Songs for Children on poems by Federico García Lorca , and guitar works by Argentine composer Enrique Cipolla.
“A bouquet of my favorite flowers” contains works by Classical and Romantic composers.
He frequently plays solo works and chamber music . He has also performed with “Los Solistas de Buenos Aires” Orchestra and the Buenos Aires Youth Orchestra.

Sergio Moldavsky is also very active as a Professor at the Juan José Castro, Julián Aguirre and General San Martín Province Conservatories, the Buenos Aires City Manuel de Falla Advanced Music Conservatory, and the Juan Pedro Esnaola Buenos Aires City Music School.